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francês para inglês: Positioning of the International Surfing Association - A Strategic Approach General field: Ciências Humanas Detailed field: Esportes/forma física/recreação
Texto de origem - francês B. SURFERS
ii SURFING SYMBOL OF FLOW AND COMPLEXITY
Le Surf se conjugue ainsi dans tous les champs des savoirs. La complexité du vivant et des organisations sont au cœur des débats contemporains. La finitude du monde et la globalisation, la compréhension de la dynamique des systèmes comme les nouvelles avancées technologiques, nous interpellent sur le statut de l’homme sur une terre menacée par une démographie galopante, une paupérisation des pays les plus pauvres marquée récemment par les émeutes de la faim, l’enrichissement indécent des plus riches, et une menace écologique majeure lié au réchauffement de la planète provoqué par nos propres pollutions.
Ainsi les experts de tout bord tentent de mesurer ces bouleversements en proposant de nouveaux concepts pour une autre compréhension du monde, impliquant le développement de nouveaux outils de communication, d’organisation, de gestion afin de relever le défi posé par ces nouveaux paradigmes.
a. Philosophie
Un des premiers à aborder la symbolique du surf en philosophie a été Deleuze . Dans l’Abécédaire, il raconte que ce qui lui a le fait le plus plaisir, dans le courrier qu’il a reçu après la publication du PLI, ce n’était pas les lettres d’universitaires, mais celle d’un club de surfeurs . Chez Deleuze, il y a une pensée artistique, ou poétique, qui fait de l’existence un phénomène esthétique, plutôt que moral ou religieux, une pensée ou la sensation est primordiale. ». Dans son livre « Nietzsche et la philosophie » Deleuze définit le tragique comme la joie multiple, la joie plurielle à l’image de ces surfeurs qui jouent à se faire peur dans des vagues où la chute ne pardonne pas.
Pour Deleuze, « le problème de la philosophie est d’acquérir une consistance, sans perdre l’infini dans lequel la pensée plonge (le chaos à cet égard a une existence mentale autant que physique) ». A plusieurs reprises, Deleuze a fait part de son vif intérêt pour le surf. En surf comme dans la vie, les individus sont confrontés à l’aléatoire des évènements, à la multiplicité en tant que richesse ; ici il s’agit des vagues parmi lesquelles il va falloir choisir celles qui offrent le plus de potentiel (forces et formes) pour écrire une partition. Chaque vague surfée devient alors une production. La mobilité n’est ni un concept temporel ni un concept spatial, c’est un concept « productif ». Il ya a mobilité chaque fois qu’il y a production, c’est à dire qu’il ya a engendrements de rapports inédits à l’existence. En surf, il s’agit de produire des évènements en fonction de chaque vagues, des habiletés de chacun et des caractéristiques spécifiques de la vague convoitée. Ainsi selon Deleuze, une production d’évènements conjugue des vitesses et des lenteurs, qu’il s’agisse de mobilité d’intelligence ou de désir. En effet, surfer consiste à tenter d’organiser le chaos (une proposition), à dessiner les meilleures trajectoires, en une création originale qui offre au spectateur une nouvelle lisibilité de l’environnement.
Tradução - inglês B. SURFERS
ii. SURFING: SYMBOL OF FLOW AND COMPLEXITY
The sport of surfing has a bearing on several fields of knowledge. The complexity of life and social organizations are the centre of contemporary debates. The world’s limited resources, globalization and new advanced technologies lead us to question the future prospects for mankind on a planet menaced by an exponential population growth, the consequently increasing poverty in the poorest countries, and the major ecological threat as a result of global warming caused by atmospheric pollution.
Experts in all fields try to measure the likely effects of these upheavals and formulate new concepts for a different comprehension of the world, involving new communication tools, new modes of organization and management in order to meet these challenges.
a. Philosophy
Deleuze was the first to discuss the relationship between surfing and philosophy. In Deleuze’s ABCD, he says that what pleased him most after the publication of PLI2 was not the letters he received from academics but the one he had from a surfers’ club. Deleuze has an artistic and poetic line of thought that concentrates on the aesthetic phenomenon rather than on moral or religious concepts. He thus emphasises the importance of sensations3. In “Nietsche and philosophy” Deleuze defines the tragic as a multiple joy, with which we can liken to the image of the surfer who plays dangerously with the waves where a fall can be fatal.
As Deleuze puts it: “The difficulty in philosophy is how to acquire a consistency without losing the infinite into which thought plunges (the chaos in this respect has a mental as much as a physical existence)”4. Deleuze has expressed on several occasions his keen interest in the sport of surfing. In surfing as in life, individuals are confronted with unpredictable events which makes both life and surfing so rich. In this context it is the waves which one must choose with the best potential in terms of strength and shape that will provide for the best note. Mobility is a temporal, spatial and “productive” activity providing the opportunity to formulate new concepts related to existence. With regards to surfing, this is about formulating the optimum reaction of the surfer according to his/her ability in relation to the characteristics of the chosen wave. According to Deleuze, the production of events involves speed and slowness, be it the mobility of intelligence or of desire. In fact, the surfer tries to organise the chaos (as a proposition), to design the best trajectories with originality and give the spectators a new vision of the environment.
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Anos de experiência em tradução: 38 Registrado no ProZ.com: Aug 2009.
My native language is Brazilian Portuguese but family and professional circumstances have made English my 1st language and French my 2nd. I have over 20 years experience as a translator and interpreter in Brazil, England and France, and have worked in a variety of fields including the environment, tourism, industry, audiovisual and international trade. I am perfectly trilingual and at ease in cross-cultural communication.
I meet agreed deadlines and aim at meticulous accuracy in my work. I am particularly interested in international news and keep myself updated through English, Brazilian and French newspapers.
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