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espanhol para inglês: Tender for road construction in Paraguay General field: Tecn./Engenharia Detailed field: Construção/engenharia civil
Texto de origem - espanhol Dos (2) Técnicos en Seguridad y Salud Ocupacional que deberán estar disponible durante todo el desarrollo de la obra de forma permanente. Entre las funciones de los mismos, estará dar cumplimiento a lo establecido en el Decreto 14.390/92 Reglamento General Técnico de Seguridad, Higiene y Medicina en el Trabajo, las medidas relacionadas a la protección de la salud y seguridad ocupacional establecidas en las ETAGs y el PGAS, en coordinación e interacción con el Especialista Socio Ambiental y su equipo técnico y con los representantes de la fiscalización y supervisión. El Técnico deberá contar con experiencia mínima de (3) tres obras viales similares. Para la firma del contrato con la empresa adjudicada el Técnico deberá contar con Registro de al menos una categoría B del Ministerio de Trabajo, Empleo y Seguridad Social o, en su defecto, documentación que avale el trámite del mismo.
Tradução - inglês Two (2) Occupational Health and Safety Technicians should be available throughout the course of the work on a permanent basis. Among their duties, they shall comply with the provisions of Decree 14.390 / 92, General Technical Regulations on Safety, Hygiene and Medicine at Work, which are measures relating to the protection of occupational health and safety established in ETAGs and ESMP, in coordination and interaction with the Environmental Specialist Partner and their technical team, and control and supervisiorepresentatives. The technician must have a minimum experience of three (3) similar roadworks. For the purposes of signing the contract with the concessarionay company, the Tecnician must be awarded the Technical Log must be at least registered within category B of the Ministry of Work, Employment and Social Security or, failing that, possess documentation supporting the processing of the same.
português para inglês: Articles of constitution General field: Ciências Humanas Detailed field: Governo/política
Texto de origem - português 1. Os membros da IDC-África podem ser:
a) De pleno direito: os partidos políticos e as organizações políticas sem natureza partidária cuja admissão tenha sido aprovada pelo Comité Executivo e que gozam, por isso, na plenitude, dos direitos e obrigações estabelecidos no presente acto de constituição e nos Estatutos da IDC-África;
b) Observadores: os partidos ou organizações, constituídos ou em formação, que, por não satisfazerem plenamente os requisitos necessários, ou por outro fundamento, forem admitidos pelo Comité Executivo como meros observadores. Gozam do direito à palavra, mas não do direito de voto nos órgãos ou reuniões em que participem;
c) Individualidades: os indivíduos que por partilharem os valores, princípios e fins da IDC-África forem, por sua iniciativa ou a convite e sob proposta do Presidente ou do Coordenador Geral, admitidos pelo Comité Executivo sob condição de ratificação pela Reunião de Líderes. Gozam do direito à palavra, mas não do direito de voto nos órgãos ou reuniões em que participem.
d) Membros honorários: os indivíduos afro-descendentes ou com clara e reconhecida ligação à África, domiciliados dentro ou fora do continente africano que por partilharem os valores, princípios e fins da IDC-África e que por terem prestado serviços relevantes em prol de causas africanas forem, por sua iniciativa ou a convite e sob proposta do Presidente ou do Coordenador Geral, admitidos pelo Comité Executivo sob condição de ratificação pela Reunião de Líderes. Gozam do direito à palavra, mas não do direito de voto nas reuniões em que participem.
Tradução - inglês 1. The members of IDC-Africa may be:
a) By operation of law: political parties and non-partisan organizations whose membership has been approved by the Executive Committee and who therefore are subject to the rights and obligations set out in articles of constitution and the IDC-Africa Statutes;
b) Observers: those parties or organizations, constituted or in development, which in not fully meeting the requirements, or on some other basis, are accepted by the Executive Committee as mere observers. They shall enjoy the right to speak but not the right to vote in the bodies or meetings in which they participate;
c) Individualities: those individuals who share the values, principles and purposes of IDC-Africa, either on their own initiative or at the invitation and proposal of the President or the General Coordinator, accepted by the Executive Committee on condition of ratification at the Leaders Meeting. They have the right to speak but not the right to vote in the bodies or meetings in which they participate.
d) Honorary members: Afro-descendant individuals or those with a clear and recognised connection to Africa, domiciled in or outside the African continent and who by sharing the values, principles and purposes of IDC-Africa and for having provided relevant services in support of African causes are on their own initiative or at the invitation and proposal of the President or the General Coordinator, accepted by the Executive Committee on condition of ratification at the Leaders Meeting. They have the right to speak but not the right to vote at meetings attended.
espanhol para inglês: Venezuelan legal documents General field: Direito/Patentes Detailed field: Direito (geral)
Texto de origem - espanhol TERCERA: La sociedad tendrá como objecto fundamental todo lo relacionado con la evaluación, asesoramiento, preparación, elaboración y ejecución de proyectos de inversiones en bienes muebles e inmuebles, administración y desarrollo de los mismos, su comercialización y promoción, así como la representación comercial de inversiones en general, pudiendo también dedicarse a cualquier actividad de lícito comercio, tales como representaciones comerciales, asesorías, inversiones con las únicas limitaciones en las leyes y ordenanzas.
Tradução - inglês THREE: The company’s principal objective will be all matters related to the evaluation, assessment, preparation and development and execution of investment projects related to movable and immovable property, the administration and development of these, their commercialization and promotion, as well as the commercial representation of investments in general, being able also to undertake any activity of lawful trade, such as commercial representation, consultancy, investments, with the only limitations established by laws and ordinances.
inglês para espanhol: Example of due diligence/information request General field: Direito/Patentes Detailed field: Direito (geral)
Texto de origem - inglês Documents related to withholdings on account of Personal Income Tax (PIT):
- List of remunerations paid to employees and analysis of all remuneration concepts and copies of the employees’ payroll for all years open to tax inspection.
- Description of the Company policy regarding per diem allowances, including accommodation expenses and travel/meal expenses.
- Description of indemnities paid for dismissal, as well as the dates of commencement and termination of dismissed employees, along with collective dismissal proceedings documents and conciliation acts for all years open to tax inspection.
- Monthly/quarterly returns of withholdings on account of PIT and annual summaries for all years open to tax inspection.
- Description of the Company policy regarding benefits in kind (company cars, loans, life insurance, etc.), including a description of the benefits in kind granted and the tax treatment of the same.
- Commissions on sales and bonuses paid to employees: policy and tax treatment.
- Retirement pension schedules, if any, and their tax treatment.
- Description of commissions and indemnities paid to agents and distributors (individuals).
Tradução - espanhol Documentos relacionados con las retenciones a cuenta del Impuesto sobre la renta de las personas físicas (IRPF):
-Lista de las remuneraciones pagadas a los empleados y análisis de todos los conceptos retributivos y las copias de la nómina de los empleados de todos los ejercicios abiertos a inspección fiscal.
- Descripción de la política de la empresa en relación con las dietas, incluidos los gastos de alojamiento y viajes / gastos de comida.
- Descripción de las indemnizaciones pagadas por despido, así como las fechas de inicio y terminación de los empleados despedidos, junto con los documentos de procedimientos de despidos colectivos documentos y de actos de conciliación para todos los ejercicios abiertos a inspección fiscal.
- Retornos mensuales / trimestrales de retenciones a cuenta del IRPF y resúmenes anuales para todos los ejercicios abiertos a inspección fiscal.
- Descripción de la política de la empresa en relación con las prestaciones en especie (coches de empresa, préstamos, seguros de vida, etc.), incluyendo una descripción de las prestaciones en especie otorgadas y el tratamiento fiscal de estas.
- Las comisiones por ventas y bonos pagados a los empleados: la política y tratamiento fiscal.
- Horarios de pensiones de jubilación, en su caso, y su tratamiento fiscal.
- Descripción de las comisiones e indemnizaciones pagadas a los agentes y distribuidores (individuos).
espanhol para inglês: Website translation for baking products company General field: Outra Detailed field: Comidas e Bebidas
Texto de origem - espanhol http://www.elamasadero.com/
Tradução - inglês http://www.elamasadero.com/en/
galego para inglês: Website translation for legal practice General field: Direito/Patentes Detailed field: Direito (geral)
Texto de origem - galego http://xoanantonperezlema.com/gl/
espanhol para inglês: Translation of article on Meirama Mines, Galicia, Spain General field: Tecn./Engenharia Detailed field: Mineração e minerais/pedras preciosas
Texto de origem - espanhol El granito del talud NE presenta una estructura geológica relativamente bien definida una esquistosidad de flujo casi N-S de tendencia subvertical -buzamientos de 85º a 90º y sentidos de buzamiento de 110º a 290º- y zonas de cizalla de diferentes tamaños, con rellenos de brechas y cataclasitas asociadas a ellas, de espesores de centímetros a un metro. Hay tres sistemas de fallas, de dimensiones hectométricas a kilométricas. El más patente y numeroso es el F1, de dirección N-S y buzamiento subvertical; son fallas de gran longitud con espaciados entre ellas bastante reducidos: 20-60 m, que presentan normalmente relleno de granito cataclástico. Existe, además, un segundo sistema (F2) de dirección NNE y también subvertical, con espaciados mayores que el anterior, y un tercer sistema (F3) con rumbo subparalelo al del talud y con buzamientos de 20º a 30º hacia la mina; este último sistema, que es menos visible, presenta rellenos de brechas y cataclasitas. Las fracturas menores, juntas, definen sistemas que coinciden con la esquistosidad, las cizallas o las fallas citadas, si bien se observa una mayor variabilidad en sus orientaciones, y existen también sistemas secundarios de fracturas que tienen diferentes rumbos y buzamientos según la zona de que se trate.
Tradução - inglês The granite of the NE talus presents a relatively well-defined geological structure and a flux schisosisty running almost N-S and subvertically, dips of 85º to 90º and dip directions of 110º to 290º, and areas of shear of different sizes, with backfills of breccias and cataclasites associated with them and with a thickness between some several centimetres and a metre. There are three fault systems, with sizes measured in hectometres and kilometric dimensions. The clearest and largest is F1, which runs in a N-S direction and has subvertical dips; these are faults of considerable longitude and with quite reduced spacing between them (20-60m), which are normally backfilled with cataclastic granite. There is in addition a second system (F2) which runs in a NNE direction and is also subvertical and with greater spacing than the aforementioned system. There is also a third system (F3), which has a subparallel course to that of the talus and with dips from 20º to 30º towards the mine; this final system, which is less visible, displays backfills of breccias and cataclasites. The lesser fractures together define systems which coincide with the aforementioned schistosisity, shears or faults, although a greater variability in its orientations can be observed, and there are also secondary fracture systems which have different directions and dips according to the area in question.
galego para inglês: Translation of a tourist pamphlet for Lugo City Council General field: Outra Detailed field: Turismo e viagem
Texto de origem - galego O corazón de Lugo, o antigo Lucus Augusti, está rodeado por unha muralla romana de máis de dous quilómetros de circundo. Quen coñeza as fermosas murallas medievais que se conservan en moitas cidades europeas, ficará abraiado pola enormidade deste monumento único. Porque esta impresionante fortaleza urbana, xa unha das máis grandes de Hispania no seu tempo, é hoxe a única que conserva íntegro o seu perímetro nos tres continentes polos que se estendeu o territorio do Imperio Romano. Por esta razón, o 30 de novembro do ano 2000 a UNESCO tomou o acordo de inscribir a muralla de Lugo na lista de monumentos declarados PATRIMONIO DA HUMANIDADE. Mais non é este o único testemuño importante da presenza romana en Lugo. Os restos das termas romanas, os fundamentos da Ponte Vella, e moi especialmente o templo tardorromano de Bóveda a 14 quilómetros da cidade, son elementos senlleiros que tradicionalmente mereceron a atención do viaxeiro curioso. E nas últimas décadas as escavacións arqueolóxicas sistemáticas descubriron outros moitos restos de grande interese que hoxe se poden contemplar en varias fiestras arqueolóxicas ó aire libre, ou en pequenos museos que exhiben in situ os achados máis importantes: a domus señorial chamada Casa dos Mosaicos, unhas tumbas e unha fonte cultual no Centro Arqueolóxico de San Roque, un templo de Mitra excepcionalmente ben conservado e anexo a outra casa que chamamos Domus do Mitreo... Para entender a muralla e o pasado romano de Lugo, o viaxeiro dispón do Centro de Interpretación da Muralla situado na Praza do Campo, onde tamén se pode facer cun extenso folleto especial no que se explica a muralla e os outros monumentos e restos arqueolóxicos daquela época. Pero Lugo é moito máis aínda.
Tradução - inglês The heart of Lugo, the ancient Lucus Augusti, is surrounded by a Roman wall that is more than two kilometres in circumference. Whoever visits the beautiful medieval walls that are preserved in many European cities will be amazed by the enormity of this unique monument. This impressive urban fortress, one of the largest in the Hispania of its time, is today the only one whose perimeter is completely preserved in the three continents throughout which the territory of the Roman Empire extended. For this reason, on 30th November, 2000, UNESCO took the decision to register Lugo’s wall within the list of monuments declared WORLD HERITAGE SITES. But this is not the only important evidence of the Roman presence in Lugo. The remains of the Roman baths, the foundations of Ponte Vella (Old Bridge), and especially the late-Roman temple of Bóveda, located 14 kilometres from the city, are simple features which traditionally merited the attention of the curious traveller. In recent decades, continuous archaeological excavations have revealed many other remains of great interest which today can be viewed through various open air archaeological viewing points, or in small museums which exhibit the most important finds in situ: the noble domus known as the Mosaics House, some tombs and a cultic fountain in the St. Roque Archaeological Centre, and an exceptionally well-preserved temple of Mithra that is attached to another house, which in Lugo we call the Domus do Mitreo (the Mithraeum Domus). In order to understand the wall and Lugo’s Roman past, the traveller can visit the Wall Interpretation Centre located in Praza do Campo (Market Square), where they can also obtain a special and extensive booklet in which the wall and other monuments and archaeological remains from that time are explained. But there is even more to Lugo than this.
espanhol para inglês: 1350 word medical equipment tender General field: Medicina Detailed field: Medicina: instrumentos
Texto de origem - espanhol 2. CARACTERÍSTICAS TÉCNICAS DEL EQUIPAMIENTO:
2.1. Los licitadores incluirán en su oferta un Sistema de Hemovigilancia que permita una trazabilidad completa de las transfusiones mediante:
2.1.1. Petición electrónica de la transfusión y transmisión de los datos de la misma a los terminales para la gestión electrónica de la extracción.
2.1.2. Gestión de la extracción de la muestra con recogida de datos en el sitio de la extracción de la muestra
Identificación del paciente (Nombre, Apellidos, Nº Historia, Nº de identificación con código de barras) e Identificación de la persona que realiza la extracción y fecha de la misma en etiqueta autocopiativa
Identificación del tubo de la muestra con una de las partes de la etiqueta autocopiativa que contenga los datos recogidos del paciente (Nombre, Apellidos, Nº Historia, Nº de identificación con código de barras)
Identificación de la persona que realiza la extracción y fecha de la misma
Registro electrónico en cabecera de los datos de la muestra y paciente.
Envío On-line de datos de la muestra electrónica.
Tradução - inglês 2. TECHNICAL SPECIFICATIONS FOR EQUIPMENT:
2.1. Bidders will include in their offer a haemovigilance system which enables complete transfusión traceability by:
2.1.1. Electronic transfusion and data transmission to terminals for electronic extraction management.
2.1.2. Sample extraction management with data collection in the sample extraction location
Patient identification (Name, Surname, History No., Identification No. with barcode) and Identification of the person performing the extraction and respective date on self-copying label
Sample tube identification with one of the parts of the self-copying label containing data extracted from the patient (Name, Surname, History No., Identification No. with barcode)
Identification of the person performing the extraction and respective date
Electronic register heading sample and patient data.
Online electronic sample data delivery.
espanhol para inglês: Beer magazine translation General field: Outra Detailed field: Comidas e Bebidas
Texto de origem - espanhol Nuestra marca Estrella Galicia patrocinó el pasado mes de mayo el evento de inauguración del local Tapeo & Wine en Manchester, al que asistieron los jugadores españoles del Manchester United, Juan Mata y David De Gea.
De la mano de Estrella Galicia, el artista grafitero Ben Allen realizó un mural en varias paredes del local 53 Degrees North & Riccis Tapas and Cicchetti. Patrocinamos también la fiesta de inauguración de este local, en la que tocó el famoso DJ Groove Armada y a la que acudieron actores del programa Emmerdale, de la televisión británica, así como Jermaine Jackman, ganador del programa de la BBC, La Voz. Este local es, además, el primero de Reino Unido donde se puede encontrar nuestra cerveza 1906 en formato barril. Además, nuestra cerveza Estrella Galicia es la única que se vende en esta conocida sala de conciertos con capacidad para 1.000 personas.
En el centro de Manchester hemos incluido decoración personalizada de Estrella Galicia en las terrazas del hotel Double Tree by Hilton. Esta incorporación refuerza nuestro posicionamiento Premium en el mercado inglés y nos da una mayor visibilidad.
Uno de los mayores distribuidores de UK, A&A Wines, distribuidor de UK, visitó nuestra fábrica con dos de nuestros clientes en Londes, Jamón Jamón y Donde. Y un año más, Little Galicia llegó a Londres para difundir los valores asociados a nuestra marca Galicia fuera de sus fronteras. Cada martes, desde el 26 de julio, y hasta el 6 de septiembre, se celebró en restaurante de Omar Hallibhoy en Shoreditch la III edición del evento en el que los asistentes pudieron degustar nuestras cervezas Estrella Galicia, Estrella Galicia 0,0, 1906 Reserva Especial y 1906 Black Coupage. Little Galicia tuvo seis semanas de duración en las que fusionó la gastronomía gallega con el maridaje de nuestras cervezas. Como novedad, este año hubo una temática diferente cada semana, haciendo que no hubiera dos semanas iguales. Todo esto se completó con una amplia variedad de grupos que se encargaron de amenizar las jornadas. Música en directo de SON Estrella Galicia como protagonista y banda sonora durante la degustación de un menú elaborado para los asistentes.
Tradução - inglês Last May, our Estrella Galicia brand sponsored the local Tapeo & Wine opening event in Manchester, attended by the Spanish players of Manchester United, Juan Mata and David De Gea.
With the support of Estrella Galicia, the graffiti artist Ben Allen drew a mural on several walls of the local 53 Degrees North & Riccis Tapas and Cicchetti. We also sponsored the opening party of this venue, where the famous DJ Groove Armada played and which was attended by actors from British television´s Emmerdale programme, as well as Jermaine Jackman, winner of the BBC's The Voice. This place is also the first in the United Kingdom where you can find our 1906 beer in barrel format. In addition, our Estrella Galicia beer is the only beer sold at this well-known concert hall with its capacity for 1000 people.
In central Manchester we have included Estrella Galicia custom decoration on the terraces of the Double Tree by Hilton hotel. This incorporation reinforces our Premium positioning in the English market and gives us greater visibility.
One of the UK's largest distributors, A&A Wines, visited our factory with two of our customers in London, Jamón Jamón and Donde. And a year later, Little Galicia arrived in London to promote the values associated with our Galicia brand outside its borders. Every Tuesday, from July 26 until September 6, the third edition of the event was held at Omar Hallibhoy's restaurant in Shoreditch, where guests could taste our Estrella Galicia, Estrella Galicia 0,0, 1906 Reserva Special and 1906 Black Coupage beers. Little Galicia spent six weeks fusing Galician gastronomy with the pairing of our beers. As a new feature, this year there was a different theme every week, ensuring that no two weeks were the same. All this was completed with a wide variety of groups that were in charge of livening up the days. SON Estrella Galicia live music was the lead player and soundtrack during the tasting of a menu prepared for the attendees.
espanhol para inglês: Technical description of library furniture General field: Tecn./Engenharia
Texto de origem - espanhol 1
Columna
Bloque formado por dos paneles de chapa acoplados por pitones de nylon.
2
Travesaño(solo en estanterías dobles)
Pieza metálica longitudinal para unión de columnas por la parte posterior mediante tornillos roscachapas.
3
Zócalo
Pieza metálica longitudinal para la unión de columnas mediante tornillos roscachapa por la parte delantera.
4
Fondo (solo en estanterías sencillas)
Panel metálico trasero modulado en función de la altura de la estantería. Atado a las dos columnas con tornillos roscachapa.
5
Rótulo
Pieza metálica longitudinal montada en la balda techo y fijada con roscachapas a la parte superior de la columna.
6
Balda sin tope
Panel metálico sin tope trasero.
7
Etiquetero adhesivo rótulo
Perfil de plástico adhesivo pegado en el rótulo inclinado.
8
Etiquetero adhesivo
Balda Perfil de plástico adhesivo pegado en la parte frontal de la balda
9
Gancho
Elemento de unión entre la balda y la columna
10
Balda con tope
Panel metálico con tope trasero.
Tradução - inglês 1
Column
Block formed by two sheet panels joined by nylon pin.
2
Crossbeam (only in double shelves)
Longitudinal metal insert for rear attachment of columns using sheet metal screws.
3
Plinth
Longitudinal metal insert for front attachment of columns using sheet metal screws.
4
Back (only single shelves)
Rear metal panel adjusted according to the height of the shelf. Attached to the two columns with sheet metal screws.
5
Front trim
Longitudinal metal insert mounted on the top shelf and fixed with sheet metal screws at the top of the column.
6
Shelf without backstop
Metal panel without backstop.
7
Adhesive front trim label
Adhesive plastic strip attached to the inclined front trim.
8
Adhesive label
Adhesive plastic strip attached to the front part of the shelf.
9
Hook
Binding fixture between the shelf and the column.
10
Shelf with backstop
Metal panel with backstop.
espanhol para inglês: Articles of Incorporation General field: Direito/Patentes Detailed field: Direito: Contrato(s)
Texto de origem - espanhol a) Que, los actos y contratos celebrados con terceros por el órgano de administración designado, antes de la inscripción de la sociedad y dentro del ámbito de sus facultades estatutarias, quedarán automáticamente aceptados y asumidos por la sociedad, por el mero hecho de la inscripción de la misma en el Registro Mercantil.
b) Que, el órgano de administración se encuentra asimismo facultado expresamente para realizar los actos y contratos que el desarrollo de la actividad de la empresa que constituye su objeto social haga necesarios o simplemente útiles, especialmente en el orden interno y organizativo, como el otorgamiento, modificación y revocación de poderes de todas clases.
Tradução - inglês a) That the acts and contracts with third parties appointed by the board before the registration of the company and within the scope of its statutory powers will be automatically accepted and undertaken by the company, by virtue of simple registration in the Companies Register.
b) That the board is also expressly authorised to perform the acts and contracts that the development of the activity of the company as its corporate purpose renders necessary or simply useful, especially in internal and organizational terms, such as the granting, modification and revocation of powers of all kinds.
espanhol para inglês: Boxing article General field: Outra Detailed field: Esportes/forma física/recreação
Texto de origem - espanhol FIVE KEY POINTS ON SERGEY KOVALEV VS. ANDRE WARD
The undefeated Russian, Sergey Kovalev (30-0-1 with 26 KOs), who holds the WBO-IBF Light Heavyweight Title Championship and WBA Super Championship, will defend his three belts this Saturday against the also undefeated and former twice king of the Super Middleweights, Andre Ward. The bout will take place at the T-Mobile Arena in Las Vegas, Nevada, and for Kovalev it will not just be any other fight.
"Krusher" is up against someone who is perhaps the most complicated rival of all those he has already faced and this will be a true clash of styles: the Russian´s destructive power against the American´s technical skill. Ward is a swift, elusive opponent who skillfully manages his technical resources. Faced with such a challenge, Kovalev must take into account the following key points if he wishes his reign to continue.
RAMP UP THE PACE EARLY ON
This fight has no unforeseen mysteries. Kovalev has his power and Ward will resort to his own power in order to avoid it. In that scenario, at the beginning Ward will wait to adapt his script to the Russian´s strategy. That´s why Kovalev in those first episodes will have the opportunity to ramp up the pace early on and surprise Ward with all his powerful artillery. If Kovalev wants to go for the knock out, he'll have to go the whole hog from the offset.
Tradução - inglês CINCO CLAVES DE SERGEY KOVALEV ANTE ANDRE WARD
El invicto ruso Sergey Kovalev (30-0-1 con 26 KOs), que ostenta el título de campeón semipesado OMB-FIB y de Súper Campeon AMB, defenderá sus tres cinturones este sábado ante el también invicto y ex doble monarca de los supermedianos Andre Ward. El combate tendrá lugar en el T-Mobile Arena de Las Vegas, Nevada y para Kovalev no será una pelea más.
“Krusher” va contra el que quizás sea el rival más complicado de todos los ya enfrentados y en un verdadero choque de estilos. El poder destructivo del ruso contra la destreza técnica del estadounidense. Ward es un oponente rápido, elusivo y que maneja con extrema habilidad sus recursos técnicos. Ante un reto de esas características, Kovalev deberá tener en cuenta las siguientes claves si desea conservar su reinado.
APURAR TEMPRANO
Esta pelea no tiene misterios previos. El poder es de Kovalev y Ward recurrirá a su poder para evitarlo. En ese escenario, al comienzo Ward esperará para ajustar su libreto a la estrategia del ruso. Por ello, Kovalev en esos primeros episodios tendrá la oportunidad de apurar temprano y sorprender a Ward con toda su artillería de poder. Si Kovalev quiere noquear, tendrá que poner temprano “toda la carne en el asador”.
espanhol para inglês: Classical CD notes General field: Arte/Literatura Detailed field: Música
Texto de origem - espanhol Los exilios son terreno abonado para la proliferación de clichés, falsas dicotomías y arquetipos simplistas. Al vértigo de entender desde fuera las tragedias personales se añade la dificultad de buscar sitio a los transterrados en una historia de la cultura que todavía entendemos principalmente según criterios nacionales: ¿dónde colocar, en una historia de la música nacional, a aquellos que fueron expulsados de la nación? ¿Cómo integrar su música en las historias que conocemos o cómo forjar otras historias? No ayuda tampoco, en el caso de los compositores españoles exiliados tras la Guerra Civil, el desconocimiento en el que permanece todavía gran parte de su producción. La grabación en CD de tres obras de uno de estos compositores, Salvador Bacarisse (el concierto para violoncello y orquesta en la menor op. 22, el Capricho concertante para violín y orquesta op. 70 y el cuarto concierto para piano y orquesta op. 88), tiene, por tanto, un interés que va más allá de la recuperación de repertorios olvidados: nos ayudará, sobre todo, a hacer más complejo, más rico en matices, menos rico en clichés y simplificaciones, nuestro entendimiento de la música de los exiliados.
El tropo sobre el que se ha fundamentado durante décadas nuestra visión de Bacarisse es el de exilio como ruptura, como esterilidad forzosa al estar el exiliado privado de su soporte vital: la nación. Manuel Valls alaba a Bacarisse en La música española después de Manuel de Falla (1962) por el «finísimo y mordaz talento musical» que mostró en los años de la República, pero se lamenta de que el exilio haya vuelto su obra (de la que cita expresamente el cuarto concierto para piano) «sosa e incolora». En 1970, Tomás Marco nombra a Bacarisse en La música de la España contemporánea entre los exiliados que «se exiliaron y anquilosaron»; en su Historia de la música española de 1983, vuelve a citarlo como ejemplo de trayectoria destruida por el exilio, ya que su música «no evoluciona» tras dejar España. Gran parte de la concepción historiográfica de Valls y Marco se fundamenta en una cierta ansiedad por superar lo que se considera atraso en la música española, incorporándola plenamente a las corrientes de la música europea. Por tanto, es comprensible que Bacarisse, que nunca manifestó interés por las corrientes que florecieron tras la Segunda Guerra Mundial, no fuese considerado interesante para construir una narrativa de la música española entendida como continuo avance hacia la vanguardia y el progreso. Incluso proyectos que miran a Bacarisse con simpatía y han intentado recuperar su obra en democracia tienen como trasfondo la idea de que es un compositor al que el exilio frustró, al contrario que otros que alcanzaron su madurez personal y creativa fuera de España, como Roberto Gerhard o Rodolfo Halffter.
Algunos aspectos de la biografía y la trayectoria de Bacarisse justifican estas interpretaciones. Nacido en Madrid en 1898 del matrimonio formado por un joyero francés y una zaragozana, el joven Bacarisse estudia Derecho y Filosofía y Letras en la Universidad Central de Madrid y piano y composición en el Conservatorio de esta misma ciudad, donde, en la clase de Conrado del Campo, conoce a Fernando Remacha y Julián Bautista, más tarde compañeros en el Grupo de los Ocho. En 1923, su poema sinfónico La nave de Ulises gana el Premio Nacional de Música, y no se estrena en la fecha anunciada al negarse los instrumentistas a ejecutarlo. Es este el primer escándalo – en muchos sentidos un clásico escándalo modernista (como los de la Consagración de la primavera o el Skandalkonzert de la Segunda Escuela de Viena) – que sitúa a Bacarisse como un compositor revolucionario, demasiado vanguardista para el Madrid de la época, un enfant terrible. Lo confirman como tal, en los diez años siguientes, su nombramiento como director artístico de Unión Radio Madrid, en la que difunde la música contemporánea española; su presentación, junto a otros siete jóvenes compositores como parte del Grupo de los Ocho en 1930; y su polémica participación en la Junta Nacional de Música y Teatros Líricos de la Segunda República.
Tradução - inglês Exiles are fertile ground for the proliferation of clichés, false dichotomies and simplistic archetypes. To the vertigo of understanding personal tragedies from the outside can be added the difficulty of finding a place for those transported in a history of a culture that we still principally understand according to national criteria: where should we place, in a history of national music, those who were expelled from the nation? How to we integrate their music into the histories we already know or how do we forge other stories? In the case of the Spanish composers exiled after the Civil War, the ignorance in which a great part of their production still resides does not help either. This CD recording of three works by one of those composers, Salvador Bacarisse (the concerto for violoncello and orchestra in A minor op. 22, concertante caprice for violin and orchestra op. 70, and the fourth concerto for piano and orchestra op. 88) therefore suggests an interest that goes beyond the recovery of forgotten repertoires. It will help, above all, to render our understanding of the music of the exiled more complex, richer in nuances, less replete in clichés and simplifications.
The trope on which our vision of Bacarisse has been based for decades is that of exile as rupture, as imposed sterility in the exile being deprived of his or her key foundation: the nation. In La música española después de Manuel de Falla/Spanish Music After Manuel de Falla (1962), Manuel Valls praises Bacarisse for the “very fine and mordacious musical talent” displayed by him during the years of the Republic, but he regrets that exile has rendered his work (of which he expressly cites the fourth concerto for piano) “dull and devoid of colour.” In 1970, in La música de la España contemporánea/The Music of Contemporary Spain, Tomás Marco names Bacarisse amongst the exiles who “went into exile and stagnated”. In his 1983 Historia de la música española/History of Spanish Music, he refers to him once again as an example of a career destroyed by exile, since his music “does not evolve” after leaving Spain. Much of the historiographical outlook of Valls and Marco is rooted in a certain anxiety in overcoming what is considered backward in Spanish music by seeking to fully incorporate it in the currents of European music. It is therefore understandable that Bacarisse, who never showed an interest in the currents that flourished after the Second World War, was not considered of interest for constructing a narrative of Spanish music understood as a continuous advance towards the avant-garde and progress. Even projects that regard Bacarisse sympathetically and have tried to recover his work with the return of democracy are based on the idea that he is a composer frustrated by exile, unlike others who attained personal and creative maturity outside Spain, such as Roberto Gerhard or Rodolfo Halffter.
Some aspects of Bacarisse's biography and trajectory justify these interpretations. Born in Madrid in 1898 from a marriage between a French jeweller and a Zaragozan girl, the young Bacarisse studied Law, Philosophy and Arts at Madrid Central University, and piano and composition at the Conservatory in the same city, where, in Conrado Del Campo´s class, he meets Fernando Remacha and Julián Bautista, who later on would be colleagues in the Group of Eight. In 1923, his symphonic poem La nave de Ulises/The Ship of Ulysses wins the National Music Prize, failing to have its premiere on the announced date when the instrumentalists refuse to perform it. This is the first scandal – in many ways a classic modernist scandal (in the vein of The Rite of Spring or the Skandalkonzert of the Second Viennese School) – which confirms Bacarisse as a revolutionary composer, too avant-garde for the Madrid of the time; an enfant terrible. He is confirmed as such. In the next ten years, his appointment as artistic director of Union Radio Madrid, on which he promotes contemporary Spanish music; his presentation, along with seven other young composers as part of the Group of Eight in 1930; and his controversial participation in the National Board of Music and Lyrical Theatres during the Second Republic.
espanhol para inglês: Microcement marketing descriptions General field: Marketing Detailed field: Marketing/pesquisa de mercado
Texto de origem - espanhol La interiorista Sandra Soler cuenta en primera persona cómo escogió Microcemento de Topcret para revestir los suelos y paredes de la heladería barcelonesa Vioko.
Sandra Soler creó hace 10 años Mésdisseny, un estudio de interiorismo muy personal en el cual su objetivo siempre ha venido marcado por la voluntad de ser referente en el diseño de interiores. Sandra es especialista en retos, en ser capaz de simplificar lo complejo y poder convertir el caos en algo funcional y bello a la vez. Su propósito es claro: crear espacios que provoquen emociones. Para conseguirlo sabía que en Topcret podía encontrar profesionales que estuvieran a la altura de sus aspiraciones.
El vínculo entre Sandra Soler y Topcret les ha llevado a realizar grandes proyectos de gran notoriedad. Su potencial no sólo ha quedado patente en el diseño de interiores de la Casa X. Su filosofía y savoir faire también han quedado reflejados en el proyecto de la heladería Vioko del barrio barcelonés de El Born (España). Dar vida a este local desde cero fue todo un desafío para ambos que sólo podía finalizar en un dulce éxito. Así lo quiso compartir ella misma en primera persona.
El proyecto de la heladería Vioko supuso para mí un gran reto. Se trataba de convertir unas frías oficinas bancarias en un establecimiento de venta de helados y chocolates artesanos de gran calidad. A la dificultad de transformación del espacio había que añadirle la forma del local, que tenía forma de U, ya que en el medio se ubicaba la escalera de la comunidad de vecinos que había que integrar en el proyecto.
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A la hora de realizar este proyecto tuve la suerte de disponer de una gran libertad. Los propietarios del establecimiento dejaron en mis manos la transformación del local y no marcaron ninguna pauta específica de cómo debía ser. Ello no quiere decir que no participaran en la toma de decisiones durante la ejecución del proyecto aportando sugerencias algunas de las cuales, evidentemente, fueron recogidas en el mismo."
Tradução - inglês The interior designer Sandra Soler tells us in her own words how she chose Topcret Microcement to coat the floors and walls of the Vioko ice cream shop in Barcelona.
Sandra Soler created Mésdisseny 10 years ago, a very personal interior design studio whose objective has always been informed by the desire to be a point of reference in the field. Sandra is a specialist in challenges, in being able to simplify the complex and to turn chaos into something functional and beautiful at the same time. Her purpose is clear: to create spaces that provoke emotions. To do this, she knew that Topcret could find professionals who lived up to her aspirations.
The link between Sandra Soler and Topcret has led them to undertake great projects of considerable renown. Their potential has not only been evident in the interior design of House X. Their philosophy and savoir faire have also been reflected in the Vioko ice cream project in the Barcelona neighbourhood of El Born (Spain). Bringing this place to life from scratch was quite a challenge for both of them and could only end in sweet success. That was what she wanted to share herself in her own words.
The Vioko ice cream project was a great challenge for me. It was a matter of turning cold bank offices into an establishment selling ice cream and handcrafted chocolates. To the difficulty of transforming the space I had to add that posed by the room, which was U-shaped, since in the middle their was a stairwell used by the bulding´s residents which had to be integrated into the project.
At the time of this project, I was fortunate to have a great deal of freedom. The owners of the establishment left the transformation of the premises in my hands and did not set any specific guidelines as to how it should be. This is not to say that they did not participate in the decision-making process during the project's implementation, as they made some suggestions which were evidently included in the project.
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Formação educacional em tradução
PhD - University of Oxford
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Anos de experiência em tradução: 29 Registrado no ProZ.com: Jun 2015. Tornou-se associado em: Oct 2015
My experience as a former lecturer in Hispanic Studies at four UK universities and status as a world expert on Galicia, Spain, provides me with considerable expertise in the translation of Spanish, Portuguese and Galician into English.
I have taught Translation Studies and have been a practitioner for many years.
I translate across a broad range of fields and offer a professional service of the highest quality.
I work extremely well with deadlines, am flexible, and provide an excellent translation for my clients at a competitive rate.
In the field of literary translation, I received an English PEN Translates Award for my translation of Eva Moreda's A Veiga é como un tempo distinto (2011), published as Home is Like a Different Time by Francis Boutle (London, 2019) and an Ostana Prize (Scritture in lingua madre) for my work in translating Galician literature into English. I have translated poetry, fiction and screenplays in Galician, Spanish and Portuguese.
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Associado desde Oct '15
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